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Inside Out and Back Again Part 3 and 4 Quiz

Letter from the Due north. The war ended eight months agone, and Female parent sent her letter of the alphabet to the North four months ago. Today, Mother receives a reply from Father's blood brother, but it doesn't offer any new information. He writes that he went southward to talk with old neighbors and Begetter'southward old friends, but he learned zilch. The letter doesn't tell the family what to do, and Mother doesn't offering any insight either. Christmas Eve is a silent affair.

Hà and her siblings might finally be settling into their new home, but getting no data about Male parent stops their evolution brusk. The silent Christmas Eve suggests that this new development weighs heavily on everyone. Without knowing where Father is, they tin't movement frontward.

Gift-Exchange Day. On December 25th, "gift-substitution day," Pem comes over with a doll told her nearly the mouse-bitten one that she lost. Hà almost screams, equally the doll is gorgeous and has lovely long blackness hair. Only information technology'south hard to feel too happy, as Hà is embarrassed that she doesn't take a gift for Pem.

Receiving the doll allows Hà to repossess a little scrap of her innocence, every bit she now has this childish comfort in her arms again. But even though this is a good thing, the doll isn't all positive: receiving it with nothing to give in return makes Hà feel like a poor friend.

What If. Brother Quang wonders if Male parent escaped to Cambodia. Maybe he's building an army and will go dorsum in time to change history. Vu Lee, on the other mitt, wonders if Father might have escaped to France and has a new family—he might not remember his sometime family. Blood brother Khôi wonders if Begetter joined a monastery in Tibet. doesn't take any heady what-ifs, simply she can't let her brothers win. And then, she asks what if Father is just gone. Anybody looks sad when Hà says this. She realizes that they think she'southward right, despite their various what-ifs.

Hà's brothers' suggestions seem based more in far-fetched promise than in reality, which Hà starts to option up on when she suggests that perhaps Father is gone. This shows Hà that her family unit members have been trying to ignore the fact that Father isn't going to come up back. But until everyone is willing to take that Father is gone, they'll continue to hope for the impossible, and this will continue them from moving forrard and healing.

Themes

A Sign. Mother keeps quiet about Father, but she chants every night. knows Mother is waiting for a sign, and she thinks that she'll decide what happened to Father when Female parent decides.

Hà seems to suspect on some level that she'due south right—that Father is gone. But her loyalty to Mother means that she'south not going to let herself believe that'due south truthful until Mother gives her permission.

Themes

No More. knows that she's supposed to wear all new wear items when she returns to school later on Christmas break. The merely new garments she has are her coat and a secondhand dress, which is cream with blue flowers. It'southward fuzzy and thick, and then it'll keep her warm. As before long as Hà takes her coat off, everyone goes repose. A girl dressed in ruby velvet tells Hà that flannel material is just for nightgowns and sheets. Pem shrugs; it doesn't thing to her what Hà wears when Pem can't cut her pilus or clothing skirts that hitting higher up her calves. SSsì-Ti-Vân says it looks like a dress. But the girl in crimson velvet points to the flower on Hà's breast and says flowers only go on nightgowns. Hà rips the flower off—her dress isn't a nightgown anymore.

Hà is doing her best to follow what she thinks are American New year's traditions by wearing all new clothes, equally she unremarkably would on Tet. Merely this backfires when her classmates accuse her of wearing a nightgown, not a dress. This has the potential to be humiliating for Hà. Just because Hà's friends stand up for her and insist that it doesn't matter what she wears, Hà finds the courage to push through and take matters into her ain easily. By ripping off the offending flower, Hà tin can control this one aspect of her life and make the wearing apparel what she needs it to be.

Seeds. wears the dress to slumber and explains to Mother what happened. She says that she pretended she didn't care, and when nobody else cared, Hà actually stopped caring. This makes Female parent laugh. Hà admits that it's far more embarrassing to not take anything to requite Pem for Christmas. Thoughtfully, Female parent goes to her drawer and pulls something out. She says she was saving it for Hà for Tet, but now seems like a good time to give it to Hà. Mother gives Hà the tin of bloom seeds that Hà and TiTi gathered. It's a perfect souvenir for Pem.

Hà is learning that not all embarrassment is created equal. It was embarrassing to exist defendant of wearing a nightgown—but that was goose egg compared to the embarrassment Hà feels near non being able to be a good friend to Pem. By giving the flower seeds to Pem, Hà gets some of her dignity back. She's able to appoint with Pem on a different level—not as someone who's accepting charity, but as an equal.

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Gone. Mother runs into the house after work, barely able to speak. Her fists are clenched and her face is ashy—and the amethyst ring is gone from her left paw. Brother Quang drives anybody back to the manufacturing plant and then they can all help Female parent expect effectually the cafeteria, bathroom, and parking lot. Female parent's optics stay wild. is agape of what Mother's expression will look like if the band is gone. Finally, at dusk, the guards tell the family to leave. Hà and her brothers are agape to look at Mother.

Losing the amethyst ring—a symbol of Father, and his and Female parent's love—is devastating for Mother. Hà and her brothers know how important the ring is to Female parent, and their enthusiasm for searching seems to be rooted in their desire to make Mother happy. In other words, the ring and what it symbolizes—Father—seems less important to the kids than keeping Mother content.

Themes

Truly Gone. Once the family gets home, Female parent goes to her room and stays at that place through dinner. Around bedtime, and her brothers hear the gong and so Female parent chanting. Now, her phonation is "low and sure." When Female parent is finished, she appears and says that Male parent is gone.

Mother ultimately decides to take losing the ring every bit a sign that Begetter is gone, and she tin now mourn him and move on. This is devastating, only it also gives Mother some closure and peace—her vocalisation is "low and sure," rather than anxious and upset.

Themes

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Eternal Peace. Mother puts on her dark-brown áo dài, 's brothers wear sick-plumbing fixtures suits, and Hà wears a pink ruffly apparel. She hates it, but it's undeniably a dress. They all face the altar and agree lit incense sticks. Equally they pray, the portrait of Father every bit a young man stares back. He'll never get any older, and this thought makes Hà'due south eyes plough red. Mother explains that they're going to chant so Father has a safe passage to eternal peace. Trying not to cry, she says that they can't hold onto Father, or he won't leave. At to the lowest degree now they know, and they don't have to wait anymore.

Hà's youth and childish concerns polish through early on in this passage: she desperately wants to wear a dress that's plainly a dress, which suggests that she'south annoyed after the nightgown incident at schoolhouse. But Hà still takes this opportunity to do as Mother asks and grieve Begetter. Now, Hà tin can also find closure. She can figure out how she relates to this homo she'southward never known, and she doesn't have to keep hoping that he'll evidence upward one day.

Themes

Start Over. is trying to explain Father's anniversary to MiSSSisss WaSShington, but it's hard to get all the nouns, verbs, and tenses right. MiSSSisss WaSShington counsels Hà that people learning a language can't expect to speak up until they're fluent, or they'll never speak. Hà must practice and make mistakes. When Hà says her classmates express joy at her, MiSSSisss WaSShington says "shame on them"—Hà should ask them to say something in Vietnamese and laugh back at them. So, Hà tells MiSSSisss WaSShington that Begetter is at peace, that she'd like to plant some flower seeds from Vietnam, and that Tet is coming. Luck starts over on every new year's day.

The way that Hà describes her struggle to use correct grammer suggests that for at present, her principal business concern is speaking correctly—she doesn't want people to gauge her, and she also doesn't want to be misunderstood. But MiSSSisss WaSShington encourages Hà to realize that learning is more important than existence right at this betoken. Hà must exist willing to endeavour to speak, even if she makes mistakes. Until she has a amend grasp of English, this is the only way she'll larn, and the only mode she tin communicate with English language speakers.

Themes

An Engineer, a Chef, a Vet, and Not a Lawyer. Now, Brother Quang is in night school to study engineering, which makes Female parent grinning. Vu Lee is refusing to go to real colleges. He'due south going to go to cooking school in San Francisco, where Bruce Lee once lived—this makes Mother sigh. Blood brother Khôi insists he'll exist an animal medico. Mother stops herself from saying something and nods. She's ever wanted her children to exist an engineer, a poet, a "real doctor," and a lawyer. She asks if she likes to argue, and Hà snaps that she doesn't. Mother smiles, and Hà decides to exist less contrary.

Things seem to exist looking up for all of Hà's family unit members. Later on deciding that Male parent is gone, and afterwards letting him go, Mother can now turn her attending more fully to her children. She can take pride in the fact that Blood brother Quang is going to stop his studies in the U.Southward., and she tin can tolerate her other two sons not doing exactly as she'd like them to. But she also seems far more willing to support them in cooking and becoming a veterinarian than she might have been a few months ago—she'southward allowing them to abound up and is supporting them as they exercise.

Themes

1976: Year of the Dragon. Since at that place'south no fortune teller this Tet, Mother predicts the family's year. She says that their lives will mix up the old and new, and soon, information technology won't matter which is which. There'southward no bánh chung in the square shape this year. Mother makes one that's log-shaped and fabricated out of dissimilar ingredients than usual. It's not exactly the same, but it's not bad, either. and her family members smiling the entire first three days of the year. They all wear new clothes, including underwear, and they don't splash water or frown. Mother asks Brother Quang to anoint the house after midnight, and then Hà can't touch the ground first in the morning.

Without the fortuneteller or all the traditional bánh chung ingredients, Hà'south family has to come with some new traditions, such every bit Mother acting as the fortuneteller and making a modified version of bánh chung. Enough things remain the same, though—getting new clothes, smiling, and Brother Quang blessing the house—that this tradition even so feels meaningful. And now, Hà can appreciate that her traditions are changing. She's looking forward to the future now more than than she could earlier in the novel, when she didn't want anything to change.

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Mother likewise sets upwards a permanent altar on a alpine bookshelf and displays Father's portrait. can't look at it. She holds her incense stick and waits for the gong to audio. Hà prays for Male parent and for Mother, Blood brother Quang, Vu Lee, and Brother Khôi to exist happy and successful. When she opens her eyes, the others are still praying. Who knows what they're all the same praying for. Merely Hà closes her eyes and go along thinking. She hopes that this yr, she learns to wing-boot. She doesn't actually want to kick anyone, though. She wants to fly.

Now that Mother has permit Male parent go, it'south less painful for her to allow his memory to be a part of her family unit's everyday life past setting upward this altar. Hà's first prayers are for her family unit members—they're still the nigh important people in her life. Just when she returns to praying, she and then thinks of herself and how she'd similar to change. Hà at present realizes she doesn't have to lash out at others to exist successful. Instead, she just has to exist happy with herself.

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Source: https://www.litcharts.com/lit/inside-out-and-back-again/part-4-from-now-on

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